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BSG

J. S. Bach: Stirb in mir (BWV 169 #5)

BSG

5:54	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto		30	0	12	2	100%
Viola		22	0	8	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto		30	0	12	2	100%
Viola		22	0	8	4	100%
Violin 1		18	0	5	5	100%
Violin 2		21	0	9	4	100%
Alto		20	0	8	6	60%
Organ		26	0	9	6	60%

Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet

BSG

4:46	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	6	3	100%
Violin 1		23	0	8	8	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	6	3	100%
Violin 1		23	0	8	8	100%
Violin 2		21	0	7	8	100%
Viola		18	0	6	8	96%

J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)

BSG

3:19	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
		16	0	5	5	98%
Alto		12	0	2	3	36%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
Continuo		20	0	5	3	99%
Violoncello		20	0	5	3	99%
Tenors		10	0	0	6	45%

Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)

BSG

6:56	Est. Play Time
133	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		20	29	7	4	98%
		17	4	4	3	62%
		23	17	7	4	100%
Alto		12	0	1	4	76%
Soprano		10	0	1	2	76%
Bass		17	0	4	4	57%
Tenor		10	0	1	4	57%
Descant		9	0	1	4	19%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.

BSG

6:14	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
Violas		22	0	8	4	98%
Violins 1		19	0	6	7	98%
Violins 2		22	0	9	4	98%
Alto		17	0	6	7	75%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		23	0	8	4	100%
Cto		23	0	8	4	100%
Oboe		21	0	7	7	96%
Violin		24	0	9	8	93%
Flute		21	0	8	8	91%
Bass		16	0	5	7	60%
Tenor		18	0	6	7	60%
FluteXEC		8	0	4	1	9%
OboXec		5	0	2	1	7%

J.S. Bach: Fuga Gm (BWV 542.2)(rec. on Zwolle (1720 Schnitger, Sonus Paradisi/Hauptwerk))

BSG

6:33	Est. Play Time
115	Measures
	1,296Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)

BSG

4:55	Est. Play Time
104	Measures
	1,402Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
		13	6	2	6	100%
Voice		10	0	0	6	75%
		10	0	0	6	75%
Bass Trombone		16	0	2	5	25%
Descant		10	0	0	5	25%

J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)

BSG

4:32	Est. Play Time
59	Measures
	1,535Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
Contrabass		23	0	8	6	100%
Vcl/Cb.		23	0	8	6	100%
Tenor		17	0	7	6	97%
Viola		17	0	7	6	97%
Alto		17	0	7	5	86%
Violin 2		17	0	7	5	86%
Ob. d'Am		23	0	9	5	85%
Flute		16	0	6	4	76%
Soprano		16	0	6	4	76%
Violin 1		16	0	6	4	76%
Bass		20	0	7	5	75%
Fagotto		20	0	7	5	75%

J. S. Bach: Ich elender Mensch (BWV 48, #1)

BSG

6:54	Est. Play Time
139	Measures
	2,205Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		26	0	9	3	100%
Vc/Cb		26	0	9	3	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		26	0	9	3	100%
Vc/Cb		26	0	9	3	100%
Viola		21	0	8	4	92%
Violin 1		27	0	9	4	92%
Violin 2		19	0	6	4	92%
Soprano		19	0	6	6	52%
Tenor		20	0	7	5	51%
Alto		19	0	6	6	48%
Bass		18	0	6	6	47%
C Trumpet		9	0	1	5	31%
2 Oboi		9	0	2	5	30%

T.L de Victoria: Eram quasi agnus

BSG

2:19	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
Tenor		10	0	2	6	94%
Baritone		12	0	3	6	59%

F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix

BSG

2:51	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
Soprano		13	0	2	10	95%
		13	0	2	10	93%

J.S. Bach: Duetto: Gott, du hast es wohl gefüget (BWV 63, #3)

BSG

3:10	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	7	3	100%
Realization		20	57	8	8	100%
Oboe		20	0	8	9	74%
Bass		15	0	3	5	67%
Soprano		17	0	6	7	64%

J.S. Bach: Ich steh’ mit einem Fuß im Grabe (BWV 156, #2)

BSG

7:28	Est. Play Time
113	Measures
	1,717Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		27	0	10	6	99%
Contrabass		27	0	10	6	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		27	0	10	6	99%
Contrabass		27	0	10	6	99%
Strings		20	0	7	6	97%
Tenor		18	0	5	8	73%
Chorale Soprano		9	0	1	4	32%

J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)

BSG

3:56	Est. Play Time
117	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
Bass		20	0	7	5	91%
Tenor		17	0	6	6	90%
Soprano		17	0	6	5	88%
Alto		17	0	6	5	82%

J.S. Bach: Was Gott tut...er wird mich nicht (BWV 100, #2)

BSG

3:33	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		25	0	8	2	100%
Contrabass		25	0	8	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		25	0	8	2	100%
Contrabass		25	0	8	2	100%
Realization		23	57	9	8	99%
Alto		18	0	7	7	83%
Tenor		18	0	6	6	83%

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